The Whisky Blot
Journal of Literature, Poetry, and Haiku
Springfields still echoed somewhere off in the growing distance as night fell. He awoke, engulfed in dark and smoke. With great difficulty, he drew for breath and it pained him. He pulled himself up against a lone, tall pine at field’s edge and, back against the tree, put his fingers to the holes in his chest left there by the Minié balls. He coughed a choking cough. Bright, red blood streamed from the corners of his mouth and the holes in his old, grey coat leaked froth.
Surveying the aftermath of the battle, he could recognize nothing resembling human life remaining. Here he sat, by all appearances, the lone survivor. The blue coats must have mistaken him for dead, an honest mistake, else he would himself now be dead. No matter, death would come soon enough. There was no field surgeon now and nothing that a good doctor could do for such wounds save numb sensation of body and mind with what barely passed for whiskey and, if so inclined, as oft good souls were, provide some company until the end. The soldier’s soul had been numbed long ago by pain of loss of country, his ancestral land, his family. Innumerable deaths were witnessed and replayed over and over in his mind. Once a devout man, he no longer feigned such, daring to declare that God himself had abandoned the South along with all the faithful therein. Between fits of coughing and the adamantine pangs of death, he reached into a coat pocket fiddling for his flask. It was not to be found. After battles, mostly victories, those now fewer and farther between, General would ration out whiskey to the men and celebrate with them. Occasionally, the whiskey would be a balm for mourning after a defeat. There would be neither such this evening. All of the men, even the good general, lay before him carpeting the battlefield a dead grey. What I would not give for one last taste of whiskey. It is funny what men think of generally but, perhaps, more so when upon death’s doorstep. And then his mind turned toward his wife, Sarah. This time of an evening, she would have finished up supper, said prayers with the children, and soon be tucking them into bed. He could not know that Sarah rarely slept these nights but, rather, spent them in a rocking chair in front of their bedroom window, curtains drawn, keeping watch over the path in the front yard for his return. Everyone knew that the war was drawing to a close and Sarah never lost faith that he would one day return to her. From another pocket, he took hold of his journal. He took pen to hand and, within its pages, described this, his last battle, under the entry “The Battle of Sulphur Creek Trestle.” He described the events of the day, as best he could, how the valiant men all lay dead, how hope was now all but lost for his countrymen, and then his mind wandered back to his home and to Sarah and the children. He lay there dying, a mere seven-mile ride by horse from his home in Athens. If only he could make it home to say his final goodbye. He would have to write it and hope that the words found their way to Sarah. Sarah awakened in the middle of the night. She had dreamt that her husband lay dying in a silent field, propped up against a long, tall pine, body riddled with bullets. He lacked all comfort save those to which he could recourse in his own mind. A man ought not die like that, especially a good man. How she longed to embrace and hold him, to comfort him in all the ways a woman can comfort a man. To wipe his face with a water-soaked rag…to put a swig of good whiskey to his lips. The dream was more vivid than the present dim and dull reality. She had seen him writing in his old, dirty, now heavily bloodstained leather journal and read every word until the end, feeling as having been there with him through it all and with him still at the very last. But she could not decipher that which he wrote finally—a single line of script. Try though as she may, she was wisped away from the dream to reality against her will, filled with the anxiety that only words unspoken, those impeded by the encroachment of death, can impart. She sprang up, drenched in cold sweat, feet to the hardwood floor of the old, two-story antebellum which creaked as her weight displaced upon it. She made her way to the antique, oak armoire and retrieved a dusty, crystal decanter and poured herself a glass of whiskey. It was still stiff and hot. She poured another, drinking it swiftly, as medicine for nerves burned frazzled. On edge, senses heightened from the dream, to which she was still trying to reenter, she heard a rustling noise outside. Someone was on the front porch and, at this hour, this could not bode well. From a drawer within the armoire, she carefully removed her husband’s Griswold & Gunnison .36 caliber six-shooter sliding it from its well-worn, leather holster. She crept down the stairs, walking to the edge to avoid alerting any intruder to her awareness of the situation. She was ready to kill a Yankee if she had to, or one of those bastards who refused to fight with the real men, and even boys, of the South. She took her French chemise gown in left hand and pulled it up as she glided silently toward the front door, black powder firearm in the right. A lone candle on the mantle cast just enough light. Back to the wall, she could clearly discern the shuffling of feet and heard the wooden planks of the porch creak. It was almost as if something were being dragged across it. Sarah inhaled a silent, but deep breath, slowly turned the key in the cast iron passage lock praying for no “click” or “clank.” She swung the door open and pulled back on the hammer, cocking the pistol and found herself pointing it toward a specter of a figure standing shadowlike in the inky darkness of the night. Sarah was terrified but she would not show it. “State your business stranger and make it quick! We are quick on the trigger in these parts!” He stood there in the darkness, silent. Or at least she thought it to be silence but then, at once, she could discern that the stranger was, in fact, speaking, rather trying to speak but so softly as to barely be audible over the cool, southern wind rusting through the magnolias. The man stumbled forward and it was enough that the candlelight illuminated his face. It was her husband. Before she could say his name, he fell toward her and as he fell, she quickly dropped the gun, catching him, falling to the floor alongside him. A hard breeze blew past them, the candle flickered, their eyes met glistening in the dim light accented by tears as precious as diamonds. She held him. She said his name over and over. She cried. She placed her hands upon his now gaunt, ashy, and bloodstained cheeks, fixing her eyes upon his, then closing them, and pressed her lips gently against his, red and salty from the tint of blood. She tasted death. He tasted whiskey. And then he passed from this life to the next, steadfast in her arms. The sun was soon up and shining morning’s first light in through the doorway. Sarah, lay there, still, having never let him go all the while weeping inconsolably through the final hours of night. It was by light of dawn that Sarah noticed the tattered journal protruding from underneath the flap of a coat pocket. She took it carefully to hand and turned through the stained pages and read, best she could, through a veil of saline. Remembering her dream, she turned to the last entry and read of the efforts of the valiant men in the battle for the trestle, moreover their homeland, and the subsequent tragedy of their demise. She had, indeed, seen from within her dream, or so it seemed to her, her husband write these very words. She read further…fond recollections of herself and of their children. And then, finally, she came to that last line penned by her husband within his journal on that fateful night…those words that she had tried so very hard to read in the dream before she was so abruptly divorced from that place and returned to the cold reality of her present life. It read, “Sarah, wake up.” Shane Huey, editor of The Whisky Blot, writes from his home in America's most ancient city. This story first appeared in The Chamber Magazine, July 30, 2021. As soon as I saw her car outside our family’s cabin, I knew this time my cousin Margo had gone through with it. She must’ve seen me coming up the driveway; Margo came out onto the porch and waved until my car settled into the space beside hers. I got out, and she smiled and hopped down the steps to give me a hug. “Patrick.” She wrapped her big arms around me. “I’m so glad you came.” My cousin was bright, bubbly. She was a new woman. Inside, she breezed through the kitchen, pointing out what she had just bought for the place: new utensils, a dish rack, a whole set of dish rags—all of it mixed in with what others had brought over the years. In the sunroom, her arm swept over the watercolor paintings she had hung on the wood-panel walls. “All local artists," she grinned. She led me to the bedrooms upstairs where I’d be staying. “Take your pick.” I pointed at the second room down the hall. She snickered and slapped my elbow. “I should’ve known. You used to hide everyone’s toys there. You had all your little stash spots, remember?” “Sure.” I went in and slid my duffel bag beneath one of the two dusty cots. “It’s weird,” she said. “It’s a different place without everyone else, without all the kids.” She was right. I was used to seeing the rich green of summer out the window and hearing the clamor of young cousins running around. That’s what the cabin was: a place where each branch of the family could come together and be together. Instead, encircled by the golden bloom of autumn, the cabin felt hollow. “Get settled,” she said. “I’ll be downstairs in the kitchen. I hope you didn’t eat yet.” She went to leave but stopped herself and touched my shoulder. “I was afraid you weren’t going to come.” “I could say the same thing to you,” I said. I had been planning to stay for the weekend and only packed a few things. Actually seeing Margo at the cabin though, I wondered if I should’ve packed even less. - I came downstairs to two fingers of butterscotch schnapps. Margo handed me the glass and tilted hers forward. “Just like grandma used to drink.” We each took down the liqueur in a single gulp, the syrupy sweetness coating my throat with burnt caramel flavor. I hated it when I was younger and hated it especially now that I was old enough to drink something else. Margo’s face contorted as she sucked the remnants off her teeth. “That never gets better. I had to keep with tradition, of course.” “Of course.” She put our glasses in the sink, then spun around and clapped her hands. “For dinner,” she began, a playful grin creeping onto her face. “We have beef tenderloin in the oven. Potatoes and asparagus. A nice red. White, too, if you prefer. If you’d like something stronger before, during, or after we eat, there’s bourbon right behind you. I’ve already dipped into that.” She picked up and wiggled another glass filled nearly to the brim with iceless whisky. “It gets my culinary juices flowing.” “Wine is fine for now.” I poured myself a glass and sat down at the table. Margo donned one of the aprons our Aunt Susan used to make each summer. One made of a rich blue cotton had come from a dress our cousin Bethany refused to take back after one of the children tossed it into the lake. Another used to be my old dog Maddy’s blanket, from the summer he ran away. The one Margo chose for tonight had bright orange polka dots, repurposed from a hideous blanket someone had left at the cabin hoping it would disappear. As she cooked, we talked. She asked about my work at the clinic, and I asked about hers at the restaurant. I asked if she had seen our cousin Michael’s newborn; she hadn’t but couldn’t wait. We made vague plans. Only when we exhausted chit-chat did she talk about why she was there. “How’d he take it?” I asked. Margo leaned back against the kitchen counter and smiled. “He knew it was over. I made it clear that it was over.” “What do you think he’ll do now?” She took a sip of her bourbon and threw her hand up. “Who cares. I doubt another idiot will fall for him, not now.” “You’re not an idiot.” She laughed. “I sure am. Staying with that abusive son of a bitch for that long… Jesus. I gave him my best years.” I let it be. When Margo had called the other week and told me what she was going to do, that she would finally leave her husband of twenty-eight years, well, it wasn’t the first time I had received that call. I didn’t really expect her to be at the cabin until I pulled up. We ate in silence. Margo had always been an outstanding cook. “A bad meal,” she had once said, “can ruin a friendship or even a marriage.” She meant it as a joke but cooked as if it wasn’t. After dinner, I cleaned up while Margo put on a record and shimmied around the kitchen, a fresh whisky in her hand. “I love Laura Nyro,” she remarked as she swayed back and forth with each twinkling riff. “Nightcap?” she asked once the dishes were done. “I’m beat.” “Suit yourself,” she said and topped off her glass. “I love it here at night. It’s peaceful in a way you can’t get anywhere else. Like you’re cut off, in some other place where all the BS can’t get at you.” I went upstairs and closed the door to my bedroom. The music still leaked in from below, and I could hear Margo da-da-da-ing to the song. I pulled my duffel out from beneath the cot and opened it up on the floor. Clothes, a toothbrush, a razor, a screwdriver. With the screwdriver, I crawled over to the air vent between the cots. The vent cover was ancient, with layers of paint flaking off, but it slid off the wall easily once the screws were out. I reached back into my duffel bag and pulled out a thin, nickel-plated cigarette case. I gave it a bounce on my palm and felt the weight of its contents shift, then I opened it just to make sure what should be there was there. There were no cigarettes in that case. That’s what Donny at work had discovered when he went looking for one. I had told him to keep what he found there to himself, but after that, I couldn’t have it near me any longer. When Margo called, I saw the chance to get away, to hide the case, to conceal my obsession. I pushed the case into the duct and around a bend then reattached the cover. Lying in bed later, I could breathe easily for the first time in a long time. - The next morning, I awoke to the smell of bacon and pancakes. “I want to take the boat out to Catscratch Island,” Margo said while we ate. “I don’t know, Margo. I was actually thinking of heading out early, maybe try to get up to Eastport before the afternoon.” There was nothing in Eastport, just an excuse. With the cigarette case out of my hands, I wanted to get away from it as quickly as I could. “Don’t give me that. No, no, we will not have Pussyfoot Patrick make an appearance. I like to think you’d’ve grown some balls by now. If you haven’t, lucky for you, the remedy is a dinghy ride over to the island.” Inside, I bristled at my old nickname. Margo stared at me until I sighed, resigned to the plan. “Does it still float?” “Sure does. Jenny and Darren used it last summer. We’ll have to deal with a few spiders but that’s it.” After breakfast, Margo packed a grocery sack with sandwiches and the bottle of bourbon. We walked to the shore. The boat was in a shed beside the lake’s edge, and I dragged it along a splintered wooden track until it tipped and slid the rest of the way onto the water. Margo stepped in and steadied herself. “See,” she said, giving the boat a wobble. “Seaworthy as ever.” I hopped in and took up the oars. The lake’s surface was a mirror, and the tiny craft skated along toward the overgrown acre of land we called Catscratch Island. “Do you remember why we called it Catscratch Island?” Margo asked as I rowed. “Something to do with Aunt Ronnie, right?” “No, Aunt Bonnie. One night I swear she downed a bottle of gin to herself and put on Ted Nugent as loud as it would go so she could hear it by the water. She started pointing to places around the lake and naming them. Said she was going to have all the atlases updated accordingly. The island became Catscratch Island, and over there...” Margo pointed to a rocky peninsula on the far side of the lake. “That became Wang Dang Point.” “Sounds memorable.” “She was so embarrassed every time the kids would bring it up. I don’t think she ever drank again except at my wedding. Looking back, I don’t blame her.” The bow of the boat scraped along the sandy shore of Catscratch Island, and we stepped out. Margo lifted the bourbon out of the sack and offered it. I had a swig; she had two. Then we hauled the dinghy out of the water and let it rest at an angle on the rocky sand. “Look at it,” she said, admiring the tangle of vines and woody bushes that filled the core of the island. “Same as ever.” We walked the perimeter, passing the bottle. “Can I ask you something?” Margo said as we finished our first lap. “Shoot.” “Do you regret your divorce?” I drank and studied the scene across the lake from us. It was midday, and the sun beamed on the orange-blasted trees ringing the lake. The sky just above the leaves was the same rich, clear blue as Bethany’s dress-turned-apron, and in the distance, on the closest section of shoreline, was our family’s cabin. Built, expanded, redesigned, and redecorated, it had never lost its bones. “I don’t,” I said and had another swig. “There were doubts at first, sure, but now I don’t really feel much of anything about it. If we had had kids, maybe it’d be different.” I gave the bottle back. “Do you hate her?” “No. Not anymore.” “Must be nice.” “We had different challenges,” I said. Margo was silent for a moment then stopped walking. “I want to show you something.” “Where?” “Here.” I looked at the wet slurry of sand and gravel at our feet. “Not right here. Up there.” She nodded toward the island interior. I scanned the brush and grass that filled the area. “It’s a mess in there.” “It’s not bad. There’s a trail. See.” She marched up toward a bush and bent her frame around it, disappearing behind spindly branches. “C’mon!” I followed her, and there it was: behind the bush, a thin trail wound inward. “What’s back here?” The island was small, two acres at most, and I felt like with any step, we’d emerge onto the opposite shore. “You’ll see. Here.” She passed the bottle back over her shoulder. I drank. Margo pushed aside a branch to reveal a tiny clearing. Really, it was just a tamped-down patch of dirt encased in shrubs. At one end was a stone, maybe a foot high, but taller than it was wide. Margo stopped and took the bottle back. “Here.” “Here? What’s here? Other than a bunch of ticks.” She drank and then pointed at the stone with the bottle. “This is where we buried him. Where we buried Maddy.” “Maddy ran away.” “No, he didn’t. Michael hit him with his truck when we were coming down the driveway. It was an accident, but we brought him out here to give him a proper burial.” “Is this a joke?” “No joke.” “What the fuck, Margo? What was I doing?" “I don’t know, but this was during your Pussyfoot phase, so we—you know—had to walk on eggshells.” I stared at the stone. “I know,” Margo said. “I’m sorry.” “I loved that dog.” We stood there watching the stone for another minute, then returned to the shore. Margo and I made two more loops around the rocky edge of the island. Occasionally, a stiff breeze would tear past us and break the glass surface of the lake, churning the water into a choppy froth. I wanted to be pissed, though whatever happened then didn’t mean much now. That was the thing about the cabin, all the good or bad that occurred there, it was just another layer. Still, I had loved that dog. - On the last loop, we worked our way across a stretch where rough stones tumbled down from the embankment above us into the water. We paused and sat, polishing off the bourbon until the sun dipped below the trees behind us. We got into the boat and Margo rowed back. Sitting in the stern, I watched the cabin grow larger. The boat smacked the shore opposite just as twilight bled into dusk. “We never ate our sandwiches,” I said as Margo tied the boat off to a post in the water. She laughed. “That’s alright. Throw them in the fridge.” Heading back toward the cabin, we meandered across the lawn, giving each other teasing pushes and laughing like kids. When we arrived at the front porch, I settled into one of the rockers. “I need to rest a moment.” Margo sat down in the chair beside mine. “Why did you wait to show me that? Why now?” I asked. Margo sighed. “I don’t know. I just didn’t want you to not know. Not anymore.” I watched the daylight fade like a flame out of air. For whatever reason, that answer felt right. - I woke up in the dark and found Margo in the kitchen reorganizing the cabinets above the sink. “Look who’s up,” she said when she saw me. “I don’t usually take naps.” “Rest when you need to rest. You’ll be happy to know I’m making my world-famous mac and cheese tonight. I have just about everything, but we need some milk and another bottle of wine. Do you mind running to town?” Margo didn’t mention me going to Eastport. “Not at all.” “Great, the corner store on Route 1 should have everything.” She put down a fresh drink and came closer. “I can’t tell you how much it means that you came,” she said. “You were always my favorite cousin.” I grabbed my keys. The bourbon had left me groggy, but after two wrong turns I found the store. Little had changed since when we were young: the same signs advertising cigarettes and lotto tickets at the state minimum still plastered the windows, and behind the counter a Bush ’92 campaign sticker hung above the clock next to the TV. It was as I was checking out that I really looked at the TV. The news was on, and a reporter was speaking live from outside Margo’s house in Portland. I could recognize it right away even though police cars lined the curb and an ambulance occupied the driveway. The sound was off, but I read the banner beneath the reporter: Portland Man’s Death Ruled Homicide. I blinked, hoping I could shake off some hallucinogenic side effect of bourbon on an empty stomach, but when I looked back up and saw my cousin’s face on the screen, I knew there was no confusion, no mistake. The picture police chose to air—yellowed even through the TV screen—was taken at the cabin. Margo was standing next to a man cropped out, his arm over her shoulder. She’s smiling. “You alright?” The pimple-faced young woman at the counter raised an eyebrow. My stomach had fallen into my feet, and an intense nausea began to creep up my throat. I paid and left. As I pulled up the driveway, the cabin was dark. Margo’s car was still out front, but by now everything was cloaked in moonless darkness. I turned on the kitchen lights and discovered everything in the cabinets poured out onto the floor in heaps of pots and pans and plates. The new utensils that my cousin had brought were scattered on the floor, too. “Margo?” I whispered. On the kitchen table, a bottle of bourbon was more empty than not. “Margo?” Moving into the sunroom, I saw the paintings stacked on one of the recliners; on the other, a shape. And on a table was my cigarette case and the polaroids that had been inside it. “Margo?” The shape squirmed and from under a blanket, my cousin poked her head up. “You’re sick. You know that.” I sat beside her on a stool. “Who are they?” she groaned and eyed the photos. “My patients.” “Why are they like that?” “They’re fine. They’re just sleeping. You shouldn’t have gone into my stuff. Why were you in the vent?” She rubbed her eyes with the blanket and let out a whimper, then tossed something at my feet. “You always had the best hiding spaces.” I picked it up and examined it: a Swiss Army knife, blood dried along the hinge, Hank inscribed on its side. She nodded toward the pictures. “Is that why you came here, why you really came here? To stash those?” I put the knife in my pocket. “It is.” “This weekend, this cabin, this was my last good thing. You know that?” “I do.” “You’re sick,” she said again. “We’re all sick, Margo.” My cousin pushed her face into the blanket and shook her head again. She was still for a while. When I went to stand, she grabbed my arm. “Be with me. Just be with me. Please.” I sat back down and wrapped my hands around hers. We sat in the quiet peace of the cabin, surrounded by artifacts of a treasured past, until the red and blue lights flashed in the distance around Wang Dang Point. Evan Helmlinger is a writer and editor living in Connecticut with his amazing wife, curious son, and lazy cat. He holds a BA in English and History from Syracuse University and has spent nearly a decade crafting, editing, and publishing work that sticks in the mind. Fascinated by the secrets we all keep just beneath the surface, Evan crafts his ideas while folding laundry or working in the yard, later putting them to paper. His work has appeared in Mental Floss, The Humor Times, and elsewhere. When the world realized the power of the girl, they began begging at her door. At first the line formed at sunrise and was gone by sunset. Before long it spread from city to city, until it circled the earth. The people built bridges and boats and left their families for years, just to find respite.
And when the girl realized the need of the world, she opened her arms wide to allow them in. She listened. When she heard about the heartbreak from the doe eyed lover, she felt the weight settle into the crook of her neck, with the weight of a kiss and the sting of a wasp. All their sorrow soaked into her body through the place on her chest where they rested their head. The burn of it poked at her: a twitch of muscle and a flick of pain. She ignored it, clinging to her guest because they needed her, and she needed them. When that same doe eyed lover left with a sunshine smile on their lips the girl buried that biting feeling inside. In they stepped, one by one, into the cottage that housed the girl determined to heal the world. The scent of tobacco and patchouli enveloped them as they entered her haven. They sat by her side and wept. And she wept too. Soon their tears were acid, leaving little trails of rashes and blisters on her skin. Their burdens got heavier, stiffer, like boulders stacked one by one on top of every part of her. Eventually she boarded the windows and lit candles because the daylight burned her eyes. When the feet of the visitors wore through the floorboards, she lined the walls and floors with the rest of her clothes, ensuring that everything visitors touched would be covered in softness. They would lay in the fabrics and wrap their fingers in her silk gowns, while she stroked their hair and sang to them. The day she stood to stretch, the weight of it all collapsed, causing her to stumble. Her ankle snapped, unable to carry the weight of everything the world left behind. She wrapped it with a scarf and pulled the bones tight into place, until she could feel them touching again. A few days later she removed the knitted fabric from her bruised and swollen skin, wrapped it around the neck of a farmer and kissed their forehead goodbye, wishing them luck in their harvest. Steadily, their troubles were crushing her. A banker whose loans had gone bad broke her ribs, the parent with the ghost child collapsed her lungs, and the artist with a knife to their neck snapped her spine. Each one leaving and swiftly forgetting the girl in the cottage with the rosewater lips. She became mangled as visitors off-loaded themselves onto her twisted body. They laughed as they left while she cried all their tears and felt all their sorrow. All too soon she could not move to hold them, her muscles, and joints all ripped at the seams. So, they lay on top of her to weep into her hair and hear her basket heartbeat. When the beat started to slow, drowning under pressure, they began taking small pieces of her before they left. A vial of her tears, a loose tooth slipped into the pocket, a toe bone whittled and strung into a necklace. They made sure to shoo away vultures that alighted on her roof and came tapping at the door. And when the priest came and realized there was no confessional for him there, he turned to close the door for good. From the darkness came a wheeze, a rise and fall of what could have been thigh or could have been chest. The remaining bits of fingers reached for the man and begged him to wait, a rotting stench leaked towards the door, sickly sweet like dying fruit. The pulp palm opened, revealing the girl's doldrum heart. “Bring them,” she cried. “Bring them one by one.” Kalie Pead is a queer poet, writer, and activist from Salt Lake City, Utah. Home for her, however, is somewhere between the red rocks of Moab and the wilds of Wyoming. She is currently an MFA Candidate in Poetry at the University of Notre Dame where she lives with her partner, their two cats, and their dog. |
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